Music Production
Bob Scott has recorded and produced music across a wide variety of genres, including Classical, New Music, Folk and Pop. Bob has worked in many mediums, from Film and TV to commercial productions.
Recent clients include Sarah Blasko (I Awake), Nigel Westlake and Lior (Compassion), Sydney Symphony Orchestra (Holst – The Planets), and the ABC (Gallipoli Symphony).
Bob records on location, at concerts and in recording studios, and runs a 5.1 post-production facility in Alexandria, Sydney.
Live and On Location
Bob is an experienced live sound engineer, working in concert halls and theatres as well as large outdoor events.
Bob has done sound and system design for:
- Australian Chamber Orchestra – The Reef, Timeline, and Underground Tours
- ANZAC Day Ceremony Broadcasts from Gallipoli, Turkey
- Opera in the Domain, Sydney
- Sydney Symphony Orchestra
- Various Sydney Festival concerts
- Australian Ballet 50th Celebrations
- Voices in the Forest, Outdoor Opera in Canberra
- Synergy Percussion – Various Live and theatrical concerts, involving live processing
Live and On Location Recordings include
- Concert recording for “Mrs Carey’s Concert” which won the 2011 Best sound for a Doco Screen Sound Guild Award
- Sarah Blasko Live at Opera House Mix
- ACO Live at Opera House ABC Broadcast
Sound Design
Bob has created sound designs and music for theatre and dance and a large variety of live shows. His many collaborations include:
- Synergy Percussion and Timothy Constable – various projects
- Branch Nebula – Paradise City and Concrete and Bone (Sydney Festival)
- Box Wars (Sydney Festival)
- Roslyn Oades – I’m You’re Man (Belvior Theatre)
- Roslyn Oades – Hello Goodbye and Happy Birthday (Malthouse Theatre)
- David Williams – Quiet Faith (Vitalstatistix)
- Alexandra Harrison – Dark, not too Dark (Carriageworks)
- Legs on the Wall – Beautiful Noise
- Brett Dean – BLISS (Opera Australia) and various other projects
- Water Music – Pastoral Symphony
- Genevieve Lacey and Brett Dean – Nocturne for Genevieve
