Bob Scott is an interdisciplinary sound designer, recording engineer and music mixer working predominantly in immersive formats, including Dolby Atmos, and D+B Soundscape.
Working often with orchestras and acoustic ensembles,he splits his time between music projects and art and film soundtracks and sound installations.
He thrives on complex artistic collaborations.
He also runs an Atmos mix and mastering room in Sydney, Australia.
| Year | Project / Company | Role | Key Notes |
| present | The Enormous Radio | Sound Designer / Co-Creator | Audio installation project with Roslyn Oades (Planned Residency). |
| 2025 | The Rites of When | Sound Designer / Composition / Mixer | 7-channel video and sound installation by Angelica Mesiti. |
| 2025 | Sonic Luminescence (Metro Martin Place) | Chief Collaborator / Sound Designer (Permanent Immersive Public Art Installation) | Public Sound Installation with Tina Havelock-Stevens and various artists |
| 2024 | Gilgamesh | Sound Designer | Opera Australia production. |
| 2024 | Memoir of a Snail (Original Motion Picture Soundtrack) | Producer / Mixer | Soundtrack for Adam Elliot’s animated feature with Elena Kats Chernin |
| 2023 | True Spirit | Music Mix Engineer | Feature film (Netflix) score mixed at Dodgy Sound Sydney. |
| 2022 | Antarctia | Sound Designer | Opera by Mary Finsterer (World premiere 2022). |
| 2022 | Hear Here | Sound Designer | Permanent sound installation by Tina Havelock-Stevens. |
| 2021 | The Nightline | Sound Artist / Co-Creator | Immersive audio installation with Roslyn Oades, premiered at Sydney Festival. |
| 2021 | A Miracle Constantly Repeated | Immersive Music Mixer | Patricia Piccini installation at Flinders St Station Ballroom. |
| 2021 | Impermanence/Disintegration | Recording Engineer | Bryce Dessner composition for Sydney Dance Company/Australian String Quartet. |
| 2020 | River (Original Motion Picture Soundtrack) | Producer / Mixer | Soundtrack for the documentary film with the Australian Chamber Orchestra. |
| 2019 | The Howling Girls | Sound Designer | Winner of Tokyo’s World Festival “Sound Design” award and an Australian Art Music Award. |
| 2019 | Assembly | Sound Designer | 3-channel video installation by Angelica Mesiti for the Venice Biennale. |
| 2017 | Mountain | Scoring Music Recordist / Mixer | Documentary film by Jennifer Peedom, score recorded on location with the ACO. |
| 2014 | Hello, Goodbye & Happy Birthday | Sound Artist / Collaborator | Verbatim audio-scripted performance with Roslyn Oades. |
| 2013 | Around the Block | Music Mix Engineer / Mixer | Feature film. |
| 2012 | I’m Your Man | Sound Artist / Collaborator | Verbatim theatre production with Roslyn Oades. |
| 2011 | Mrs Carey’s Concert | Concert Recording Engineer | Won the Best Sound for a Doco Screen Sound Guild Award. |
| 2011 | Stories of Love & Hate | Sound Artist / Collaborator | Verbatim theatre production with Roslyn Oades (STC season). |
| 2010 | BLISS | Sound Design | Opera by Brett Dean, premiered by Opera Australia. |
| 2009 | Paradise City & Concrete and Bone | Sound Design / Composition | Collaborations with Branch Nebula (Sydney Festival). |